Showing posts with label eric beeny. Show all posts
Showing posts with label eric beeny. Show all posts

1634 c/o Eric Beeny


The Heliocentrist


Galileo drops small things off his balcony onto people’s heads as they pass by his villa in Florence, then he hides behind the stone railing.

Tiny pebbles, rare coins, water balloons.

One guy, Galileo drops a bowling ball on his head and it sinks into his skull like a cake.

The guy looks up at Galileo and yells something in Latin, but Galileo can’t understand him.

Galileo tries seeing the guy's eyes through the dark caves of the bowling ball’s finger holes, but it’s too dark in there.

Galileo just waves the guy on and the guy wobbles down to Galileo’s neighbor’s house, knocks on the door.

A few days later Galileo makes a yo-yo out of a large pulley and a strand of silk.

Galileo practices off the balcony when no one's looking.


* * *

Galileo observes small things through his telescope as the planet he lives on revolves somewhere in space.

He doesn’t think God gives a shit if humans think the Earth is where they think it is, whether or not it’s in the middle of everything.

He goes up to the roof of his villa in Florence and looks at the stars, imagines those small things falling on his head.

Galileo wishes it was his birthday, but for that he’d need a cake with candles to blow out, and since it’s not his birthday he doesn’t have that.

He doesn’t know what he’d wish for other than that it be his birthday, and that he’d once again be young enough to not have to appreciate it.

Galileo’s not sure how small the stars he’s observing are, but he knows they’re far away, and he thinks that must mean something big.

He thinks about what Ptolemy or Copernicus would've thought if Ptolemy or Copernicus were both Galileo thinking they were him.

Galileo watches from his roof, and something moves in the sky, a shooting star, a gash opening the darkness and the darkness healing back in on itself.

“What do these things have in common with my perception of them?” he thinks out loud.

“They both exist,” one of his servants yells up to him from a window below.

“Ah, horseshit,” Galileo says. “You’ve been cooped up inside too long.”


* * *

Galileo can’t sleep.

He has a hernia.

He lies in bed with his eyes closed, grinding his teeth.

He scratches his shoulder, his thigh.

Galileo becomes a star, his theories solar flares.

Controversy revolves around him.

He thinks big thoughts.

Solar system.

The Pope.

God.

Galileo wishes he'd invented the Pope.

Galileo wants to invent a new God, his own God.

Maybe lots of Gods.

God of balconies and God of pebbles, God of stars and God of telescopes, God of bakers and God of cake, God of bowling balls and God of water balloons, God of sleep.

Galileo gets out of bed, looks out the window, the sun shaping with soft light the horizon like a cracked glow stick.

He nails his blanket from one wall to another so it’s suspended in the air, and he puts a bowling ball on the blanket, and the middle of the blanket sinks under the weight of it, the blanket tearing a bit on the nails.

Galileo rolls water balloons onto the blanket and they wiggle in orbit around the bowling ball.

The Earth revolves around the sun.

The sun rising, it’s just the Earth revolving somewhere.

Galileo sends his servant out for more water balloons.

Galileo's eyesight is failing.

When the sun comes up, Galileo will get drunk and cover the window with his blanket, light candles all around his room and sit in the corner squinting with an inquisitive look on his face while the room spins all around him.

1509 c/o Eric Beeny


SYNAPSE


My dearest Buonarroto,


I’m sorry it’s been so long since I’ve written.

I hope Father is doing okay.

He’s an ass sometimes, I know.

But without him neither you nor I would be alive on this Earth to give him an outlet through which he can channel his anger.

Let us be thankful for that.

I have enclosed a shitload of ducats, more than enough for both of you to survive comfortably, for how long I’m not sure.

I wish it could be more, but Pope Julius II is really raping me on this job he got me started on over a year ago.

He’s got me standing on scaffolding suspended by ropes over 60 feet above the floor, painting this huge vaulted ceiling in this crazy-bananas chapel here in Rome.

You know how I hate heights—I’m scared shitless to come to work everyday.

Plus my neck hurts from craning it, my shoulders and my back, my goddamn arms.

My face is freckled with paint droppings, like birds pooping all over my face.

I’ve got the whole painting plotted, at least, and for the most part I’m refusing help.

I can do this myself.

The Pope won’t get off my ass about it, though.

He’s all, When are you going to finish? this and Why haven’t you finished? that.

Over a month ago, the prick even whacked me with his staff.

I ran off, refusing to return, especially since he still hadn’t paid me even a fraction of what he was contractually obligated to.

He eventually sent for me, his messenger carrying both a written apology (which really shocked the shit out of me) and a sum of 500 ducats, the full amount I was promised (I still think the work I'm doing is worth more—though I will admit this to no one—as I mentioned my feeling violated).

I reluctantly agreed to return, so here I am again at my task.

And though this isn’t my trade (I am after all a sculptor by nature), I will accomplish this feat no matter how long it takes.

Do you remember me telling you once how a statue sleeps in a block of stone, that the block of stone was a prison from which only the sculptor’s chisel could release it, bring it to life?

I’m only paraphrasing what I said, as I’m sure your memory is already doing as you read this, but I know it was something like that.

Well, rather than chiseling away what’s unnecessary in art, I’m here adding more and more paint to capture the image rather than release it.

I must always be vigilant and cautious to not fuck up, lest I should then be forced to paint over and over my errors, only to begin again at making further mistakes I hope will amount to something beautiful.

It’s a lot.

My whole body hurts.

But I will persist.

I’ve got this great idea for one of the painting’s focal points: On one cloud I will have Adam and on another I will have God.

They will stretch their arms toward one another, but they will be unable to reach far enough to touch, their fingertips less than an inch apart.

I feel this will symbolize much about man and his relation to the divine, and I hope that message will travel across that distance between Adam and God, and therefore from my painting on down to anyone who enters this crazy-bananas chapel to be struck on the head by the image like lightning.

I often wonder if God isn’t just the brain thinking about God.

Maybe it doesn’t matter.

Anyway, be well, Buonarroto, and be kind to Father, for he needs it.


All my love,

Michelangelo